North Atlantic is an affectionate spoof of Rodgers and Hammerstein musicals. On a mysterious, remote island, Honey Snodgrass and Melanie Fong, members of the Iowa branch of the Teaching Corps, find romance, bigotry, and the dream ballet to end all dream ballets. With South Pacific as its closest touchstone, this family musical, set sometime after World War II, features elements reminiscent of the entire Rodgers and Hammerstein catalog. Named Outstanding Production of the Year by Show Business Magazine.
The Story
Act I
Somewhere in the North Atlantic, a ship, the Chow Mein, pulls up to the shoreline. Two young women from Iowa, Honey Snodgrass and Melanie Fong, have arrived after joining the Teaching Corps in order to better the lives of underprivileged Eskimo children. Honey, the leader of the two, is beaming at being in this new place (The Happier Side). Essie Norton, their teacher superior, enters to escort the ladies to their barracks. As they head out, Essie tells the girls that the Lieutenant Governor, Sir William Littlewood, is throwing a party that evening.
Meanwhile, four Eskimos on the glacial coast have been growing impatient, awaiting the arrival of Eskimo Annie and her usual booze delivery (Where the Hell Is Annie?). Finally, Eskimo Annie arrives bearing libations. Nanook, the village wise man, tries to advise the Eskimos of drinking’s downside, but they ignore him and Annie passes out bottles of moonshine. She attempts to sell several items to help keep the Eskimos warm, but they are looking for something more specific…women. Annie agrees to find girls for them (Someting Special).
Honey enters looking to buy school supplies and Annie determines whether or not Honey is a potential partner for her customers. Honey explains that she is through with romance (Before I Fall).
Later, in the home of Sir William Littlewood, the party begins (Now Is Here). Sir William and Honey have an immediate affection for one another (Duo Thoughts). William talks about how, in life, one may encounter someone that changes them completely. Honey happens to be that changing force for him (I’ve Held a Hope).
The next day at the old, run-down school, Essie leads the women to their empty classroom and leaves them to prepare for the first day. After Essie leaves, Honey confesses that she has fallen in love.
The ladies are interrupted by Sandy Shore from the North Atlantic Sociological Division. He immediately takes an interest in Melanie, and Honey leaves the two of them alone to get acquainted. As they get to know each other, Sandy offers to take Melanie for a ride in his sleigh (The Sleigh with the Cream Colored Team).
Later, as her students come in for class, Honey realizes that the Eskimo children don’t speak English. In fact, the only student who does is William’s son, Robert. She begins to teach them the language using gestures (The Sign Song).
Essie enters to inform Honey that her living quarters have collapsed, an occurrence that is typical in this place. Honey has lost all of her belongings. Essie makes an attempt to make her see the brighter side of things (There’s a Rainbow at the End). A large crowd pitches in to raise a new igloo for Honey and Melanie (Raising an Igloo).
Sandy delivers some bad news to Honey; Sir William is currently under investigation for his past in Britain and his dealings with the infamous bootlegger, Eskimo Annie.
Honey confronts Eskimo Annie to find out the truth. Just as Annie is about to reveal something, William enters to stop her. Honey pleads with William to tell her and he refuses, causing Honey to run off. William is left alone to dwell in sorrow (Solo Thoughts).
Act II
Honey is back at work in the classroom with her students, though, she is not completely over her short romance. Melanie and Essie try to convince her to forget it altogether (Erase Him).
Sandy takes a moment to confess his love to Melanie and asks her to settle down with him (And Ya Won’t Complain).
William and Nanook try to convince Eskimo Annie to stop her operation. The North Atlantic is a wonderful place and she has tainted its name. Sensing the pride for the territory, Honey, Melanie, and Sandy enter to express their praise (North Atlantic).
Honey sees that William is a good man and they get back together (Who’d Have Guessed It?). William takes the time to divulge his secret to Honey: he is not really British. He was born into Jewish royalty in Austria and fled during the Nazi occupation. His wife lost her life on their family’s journey. Upon learning the truth about William, Honey becomes weary of getting married again (Deep in My Mind). In her mind, she goes through all the major events that have led up to this moment (Ballet).
Honey realizes that she actually does want to be with William, just as Melanie enters, hysterical, with terrible news. Nanook and Sir William Littlewood went to stop the illegal bootlegging. While they were there, a scuffle took place that caused an avalanche! Sandy enters to inform them that Nanook is dead and William is still missing. Essie reminds the group to have hope and Honey agrees (Reindeer Moss).
As the group sings, William enters and embraces Honey. The group then reprises “North Atlantic” in celebration of their beloved home (Finale).
Act I
Act II
Overture
Reprise: The Happier Side
The Happier Side
Erase Him
Where the Hell is Annie?
And Ya Won't Complain
Someting Special
North Atlantic
Before I Fall
Who'd Have Guessed It?
Now Is Here
Deep In My Mind
Duo Thoughts
Ballet
I've Held a Hope
Reindeer Moss
The Sleigh With the Cream Colored Team
Finale
The Sign Song
There's A Rainbow at the End
Raising an Igloo
Solo Thoughts
Entr'acte
"Hysterically funny!" –Amateur Stage
"I had a very good time at North Atlantic. In fact, it was not only the best of the three musicals I saw last week, it was the best of the year." –Henry Hewes, former President, New York Drama Critics' Circle
"A fine evening of playful entertainment, of special interest to musical buffs, who will smile with recognition at almost every line." –Show Business Weekly
"It is a gem of a show and, for once, a musical with a small enough cast to appeal to every size of musical society." –Amateur Stage
Cast
5 Women, 5 Men
HONEY SNODGRASS – Female, 20-26. Lovely soprano. Bouncy ingénue whose optimism is constantly challenged; strong-willed but fragile inside; a mix of Mary Martin, Shirley Jones, and Julie Andrews.
MELANIE FONG – Female, 20-26. Alto soubrette. Adorable and brash. A cross between Ado Annie and Linda Low. All-American Asian with a strong mid-Western accent.
SIR WILLIAM LITTLEWOOD – Male, 40-55. Booming baritone voice. Ostensibly a handsome, older Englishman, but talks with a heavy Italian accent and sings like Ezio Pinza or Pavrotti.
SANDY SHORE – Male, 25-35. Tenor/Baritone. Alternatively straight-laced and goofy official; a cross between Lieutenant Cable and Will Parker. Like the young Jim Carrey or Tom Hanks.
ESSIE NORTON/ESKIMO ANNIE – Female, 40-55. Hilarious character actress with rangy contralto voice. Doubles as Nettie Fowler and Bloody Mary type characters.
NANOOK – Male, 30-60. Confucius like philosopher; authoritatively speaks in rhyme couplets in a pose like King of Siam. Doubles in the Ensemble.
ENSEMBLE MEMBERS – 2 male, 2 female. Playing Eskimos, Eskimo students, and other characters.
Setting
Sometime after World War II on a small island in the North Atlantic
Running Time
2 Acts, Approx. 105 minutes
About the Authors
Michael Colby (Book and Lyrics) is the librettist/lyricist of such musicals as Charlotte Sweet (Drama Desk Award nomination), Tales of Tinseltown (numerous productions), North Atlantic (Show Business Award), Delphi or Bust (Amas Musical Theatre), Ludlow Ladd (various regional productions), The Human Heart (Billy Rose Foundation grant; Marymount Community College, NY), Slay It with Music (off-Broadway and London), They Chose Me! (Tada!), and Mrs. McThing (Goodspeed at Chester). Michael was chief writer for The New Amsterdam Theatre Company (at Town Hall, NY), the forerunner of Encores in presenting musicals in concert. He has written for The Theatre by the Blind, The NY Festival of Song, The 92nd Street Y, and numerous benefits. Among the personalities for whom Colby has written are: Angela Lansbury, Linda Lavin, Michael Feinstein, Tony Randall, Savion Glover, Cicely Tyson, Ben Vereen, Susan Stroman, Ron Raines, Cliff Robertson, Jack Gilford, Paul Shaffer, Lainie Kazan, Jane Powell, and Julie Wilson. Recent projects include: They Changed Broadway (a revue about Broadway Jewish talents) and lyrics for Boynton Beach Club (Park Vista Theatre, FL) and Meester Amerika (cited by NJ Star Ledger as "Best Original Score of the New Jersey season"). Mr. Colby is a member of BMI and the Dramatists Guild. For more information, visit: www.michaelcolby.com
James Fradrich (Composer and Co-Lyricist) was Archivist/Concert Librarian/General Musical Consultant for Rodgers and Hammerstein. He also received an award for "Best Musical Score" for The Musicians of Bremen at Wilmette, Illinois' Children's Theatre. He was arranger and musical director for the hit off-Broadway musical Boy Meets Boy. Other off-Broadway productions—as musical director and/or arranger—included Carnival (Equity Library Theatre), Gift of the Magi (Players Theatre), Babes in Arms (Playwrights Horizons), From Books with Love (Harold Clurman), and Man with a Loat of Mischief (The Production Company). He has served in the same capacity on several regional productions and toured as pianist/arranger on I Am an American (for USO). He was assistant to orchestrator William D. Brohn for the Broadway productions of Miss Saigon, The Secret Garden, and the first national tour of Jerome Robbins' Broadway. He toured as pianist for the Columbia Artists Management with The First Gilbert & Sullivan Quartet and has played engagements with several symphony orchestras. Other awards have included State Winner Piano for Federated Music Clubs of Wisconsin and Finalist & Alternative Winner for Green Bay Symphony Concert Composition. He was a graduate of Lawrence University.
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Orchestrations
Piano
Keyboard 2
Bass
Guitar
Percussion
Percussion 2
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